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You can see them all on my Amazon Author Page. I’ve also written 3 more novels ( Acre’s Bastard and Acre’s Orphans, as well as Johnny Lycan and the Anubis Disk) and the sequel to Johnny Lycan is almost finished. I’ve written 2 business books, The Long-Distance Leader and The Long-Distance Teammate. In the 6 years since publication, a lot’s happened. We see how the tale de Prorok is spinning doesn’t quiiiiiite match the reality. Then it flashes back a year to an ill-fated, well-documented expedition to the Algerian Sahara.
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It alternates between the imaginary story of Willie Braun, a young German-American teenager who becomes the driver and assistant for a charismatic archaeologist on a tour of the US Midwest in 1926. Get it from my publisher, #blackrosewriting or on Amazonįor those of you who haven’t read it, it’s a pretty ambitious first book. Of course, if you’re NOT sick of werewolves (ahem) Please check out Johnny Lycan and the Anubis Disk. You can find me at my website: Instagram: Facebook: Amazon: So, where can we learn more about you and your work? That’s just a shortlist though because I read a lot.Īs you should. I like to think I’m a diverse reader so I also enjoy Ellis Peters (Cadfael series), Phillipa Gregory, Lyndsey Buroker, Nicholas Eames and KM Shea.
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My absolute favourite author is Terry Pratchett – his Discworld series is amazing. I was inspired by a friend’s character in a D&D campaign we played – she was a straightforward barbarian who rushed in without really thinking, took a hit and kept going, which is pretty much my main character in a nutshell! I set the story in modern-day Cardiff in the UK because I really enjoyed mixing the magical with the mundane and in a couple of my stories I’ve used real buildings… which may get destroyed by dragons! The root of the story was really that I wanted to write a character that wasn’t a standard elf or werewolf, (Editors Note: Ouch, but I suppose I deserve that.) which seem to be the leads in a lot of urban fantasy. Narrative is very unforgiving when compared to jokewriting or poetry, which have fewer rules. The novel has to flow into the main river by the end. It’s the reverse of a comedy act, which is a river with many tributaries you can choose to go down or not. Fiction is completely different, since you have to weave many strands of the story into the main story by the end. A visual picture and some powerful words, good-sounding words, and done as quickly as possible. Jokes and poetry are very similar in the writing. Some days I wrote more, and only two or three days I didn’t make three pages. I tried to write three pages a day (single spaced). I had a few jokey lines that I took out in the rewrite because they seemed contrived. If opportunities for humor came up, great, as long as they moved the tale along its way. I wanted to have as much humor as I could find, but there were no intentions with regard to writing funny or not. There’s humor in the book but it’s not necessarily funny. And there were aspects of the man who keeps others’ secrets that I decided were very interesting. The main case of the burglar was a case my father had in the 70’s. I had the bare bones idea of the story - the small-town lawyer who is kind of a gumshoe - for a very long time. A Car to Die For might seem a surprise to those of you who know you through your standup. Count of the Sahara started as a bet with myself.
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Plus I wanted to see if I set a particular writing regimen, could I finish a novel in a set period of time. I’d tried a few other times but I’d always gotten bored and decided the story was boring. So it wasn’t too outlandish to try again in my late fifties. The first thing I ever tried to write was a novel, or a short story.



